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    DiGiCo S21 Digital Mixing Console

    Special Price A$15,550.00 Regular Price A$18,890.00
    LOW STOCK 1 LEFT LOW STOCK 1 LEFT
    SKU
    S21WS
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    Details

     

    DiGiCo S21: Overview

    Overview

    DiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of our high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price.

    Step up to the S21’s worksurface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. It’s also a revelation in terms of what an introductory digital console can deliver.

    Based on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone.

    Under the Hood

    Familiar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface.

    The two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts.

    Visual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls.

    The dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilised for operation. Both touchscreens are responsive to EQ shaping, with fine-tuning available via the tactile and intuitive rotary encoders.

    Altering the Channel Bank layout, and mixing and matching any channel, aux, group, control group, or matrix within a bank, is easily accomplished by drag and drop at the touch of a screen.

    I/O

    The S21’s local I/O section includes 24 mic/line inputs, 12 line outs, two mono AES/EBU, and two DMI (DiGiCo Multichannel Interface) card slots which interface to standard industry formats such as Analogue, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.

    The console connects seamlessly with the DiGiCo remote I/O D-Rack providing an additional 32 inputs and up to 16 outputs.

    Get instant access to 32 fully integrated low-latency Waves stereo Multiracks, each with up to eight plug-ins per rack, by fitting the DiGiCo SoundGrid DMI card linked to external SoundGrid or DiGiGrid server, giving a total of 128 additional I/O.

    More Information
    More Information
    Custom Stock Status LOW STOCK {qty} LEFT
    Specification S21 Specifications

    S21 Specifications

    Specification Details
    General Specifications
    Input flex-channels 48 x Mono/Stereo (equivalent of 96 DSP channels)
    Busses 46 busses: 16 x flexi-busses Mono/Stereo (equivalent of 32 DSP busses), Stereo Master (2), Solo busses (2 stereo, 4 total), and 10 x 8 Matrix (8)
    Control Groups 10 x Control Groups
    Compressor 1 x Compressor per channel and buss
    Gate 1 x Gate per channel and buss (switchable to ducker, or compressor with side chain access)
    Graphic EQs 16 x assignable 32 band Graphic EQs
    FX engines 8 x FX engines (reverbs, delays, w/modulation and enhancer)
    DiGiTuBes 21 x assignable DiGiTuBes
    Multiband Compressors 21 x assignable Multiband Compressors
    Dynamic EQ’s 21 x assignable Dynamic EQ’s
    User definable Macros Yes
    Headphone amplifier Extremely high power headphone amplifier with 1/4 inch and mini jack socket
    Sample Rate 96kHz as standard
    Mic/line inputs 24 mic/line inputs
    Analogue outs 12 analogue outs
    AES/EBU I/O 2 AES/EBU I/O (mono)
    Word Clock I/O Yes
    GPI and GPO 1 GPI and 1 GPO
    DVI out For an external monitor
    DMI Card slots 2 DMI Card slots (up to 64 I/O per slot)
    Ethernet connections 2 Ethernet connections for Networking
    Master/solo meters 2 x 24 segment master/solo meters
    Touch sensitive rotaries With integrated switch & HTL
    Multi-touch screens 2 x multi-touch screens
    Touch sensitive moving faders 21 x touch sensitive moving faders
    Fader layers 4 x layers of banks of 10 faders
    Customisable bank and channel layout Yes
    Snapshots Yes
    USB2 Audio I/O interface Integrated USB2 Audio I/O interface for recording and playback of up to 48 channels
    Audio Specification
    Sample Rate 48kHz, 96kHz
    Processing Delay 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96kHz
    Internal Processing Up to 40-bit, Floating Point
    A>D & D>A Converter Bit Depth 24-bit
    Frequency Response +/- 0.6dB (20Hz – 20kHz)
    THD <0.05% @ Unity Gain, 10dB Input @ 1kHz
    Channel Separation Better Than 90dB (40Hz – 15kHz)
    Residual Output Noise (20Hz – 20kHz) <90dBu Typical
    Microphone Input Noise Better Than -126dB Equivalent Noise
    Maximum Output Level +22dBu
    Maximum Input Level +22dBu
    Processing Channel Specification
    Input Channel Details
    Input Name User-Defined
    Channel Selection Mono / Stereo
    Main Input Input Routing
    Analogue Gain -20 to +60dB
    Phase Normal / Reverse
    Digital Trim 40 to +40dB
    Delay 0 – 682ms
    DiGiTuBe Drive 0.01 – 50.0
    Bias 0 – 6
    LPF 20 – 20kHz, 24dB/Oct
    HPF 20 – 20kHz, 24dB/Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
    Dynamics 1 Single or 4 x Multiband (3-Band) Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee; Hard, Med, Soft
    Dynamics 2 On/Off Gate / Ducker Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Link; Any Channel / Buss S/C Source : Any Source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz
    Insert B (Post EQ/Dyn) On/Off
    Mute Channel Mute
    Solo Solo Buss 1 / Solo Buss 2 / Both
    Channel Safe Socket Properties, Input Route, Mono/Stereo, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Aux, Group Assigns, Pan, Fade, Mute, Direct Outs, Full Safe
    Output Routing Buss, Insert A, Insert B, Direct: Post-Fade, Fader: 100mm Motorised Fader ∞ to +10dB
    Aux / Group / Matrix Output Details
    Name User-Defined
    Phase Normal / Reverse
    Digital Trim -40 to +40dB
    Delay 0 – 682ms
    DiGiTuBe Drive 0.01 – 50.0 Bias 0 – 6
    LPF 20 – 20kHz, 24dB / Oct
    HPF 20 – 20kHz, 24dB / Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
    Dynamics 1 Single or 4 x Multiband (3-band) Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee; Hard, Med, Soft
    Gate / Ducker Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Link; Any Channel/Buss S/C Source: Any source S/C Listen: On/Off S/C Filter Freq/Width: 20Hz – 20kHz
    Insert B (Post EQ/Dyn) On/Off
    Mute Channel Mute
    Solo Solo Buss 1 / Solo Buss 2 / Both
    Channel Safe Mono/Stereo, Bus Mode, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Group Assigns, Fade, Mute, Direct Outs, Full Safe
    Output Routing Outputs, Insert A, Insert B
    Fader 100mm Motorised Fader ∞ to + 10dB
    Package 1 Pack
    Specification
    S21 Specifications

    S21 Specifications

    Specification Details
    General Specifications
    Input flex-channels 48 x Mono/Stereo (equivalent of 96 DSP channels)
    Busses 46 busses: 16 x flexi-busses Mono/Stereo (equivalent of 32 DSP busses), Stereo Master (2), Solo busses (2 stereo, 4 total), and 10 x 8 Matrix (8)
    Control Groups 10 x Control Groups
    Compressor 1 x Compressor per channel and buss
    Gate 1 x Gate per channel and buss (switchable to ducker, or compressor with side chain access)
    Graphic EQs 16 x assignable 32 band Graphic EQs
    FX engines 8 x FX engines (reverbs, delays, w/modulation and enhancer)
    DiGiTuBes 21 x assignable DiGiTuBes
    Multiband Compressors 21 x assignable Multiband Compressors
    Dynamic EQ’s 21 x assignable Dynamic EQ’s
    User definable Macros Yes
    Headphone amplifier Extremely high power headphone amplifier with 1/4 inch and mini jack socket
    Sample Rate 96kHz as standard
    Mic/line inputs 24 mic/line inputs
    Analogue outs 12 analogue outs
    AES/EBU I/O 2 AES/EBU I/O (mono)
    Word Clock I/O Yes
    GPI and GPO 1 GPI and 1 GPO
    DVI out For an external monitor
    DMI Card slots 2 DMI Card slots (up to 64 I/O per slot)
    Ethernet connections 2 Ethernet connections for Networking
    Master/solo meters 2 x 24 segment master/solo meters
    Touch sensitive rotaries With integrated switch & HTL
    Multi-touch screens 2 x multi-touch screens
    Touch sensitive moving faders 21 x touch sensitive moving faders
    Fader layers 4 x layers of banks of 10 faders
    Customisable bank and channel layout Yes
    Snapshots Yes
    USB2 Audio I/O interface Integrated USB2 Audio I/O interface for recording and playback of up to 48 channels
    Audio Specification
    Sample Rate 48kHz, 96kHz
    Processing Delay 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96kHz
    Internal Processing Up to 40-bit, Floating Point
    A>D & D>A Converter Bit Depth 24-bit
    Frequency Response +/- 0.6dB (20Hz – 20kHz)
    THD <0.05% @ Unity Gain, 10dB Input @ 1kHz
    Channel Separation Better Than 90dB (40Hz – 15kHz)
    Residual Output Noise (20Hz – 20kHz) <90dBu Typical
    Microphone Input Noise Better Than -126dB Equivalent Noise
    Maximum Output Level +22dBu
    Maximum Input Level +22dBu
    Processing Channel Specification
    Input Channel Details
    Input Name User-Defined
    Channel Selection Mono / Stereo
    Main Input Input Routing
    Analogue Gain -20 to +60dB
    Phase Normal / Reverse
    Digital Trim 40 to +40dB
    Delay 0 – 682ms
    DiGiTuBe Drive 0.01 – 50.0
    Bias 0 – 6
    LPF 20 – 20kHz, 24dB/Oct
    HPF 20 – 20kHz, 24dB/Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
    Dynamics 1 Single or 4 x Multiband (3-Band) Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee; Hard, Med, Soft
    Dynamics 2 On/Off Gate / Ducker Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Link; Any Channel / Buss S/C Source : Any Source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz
    Insert B (Post EQ/Dyn) On/Off
    Mute Channel Mute
    Solo Solo Buss 1 / Solo Buss 2 / Both
    Channel Safe Socket Properties, Input Route, Mono/Stereo, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Aux, Group Assigns, Pan, Fade, Mute, Direct Outs, Full Safe
    Output Routing Buss, Insert A, Insert B, Direct: Post-Fade, Fader: 100mm Motorised Fader ∞ to +10dB
    Aux / Group / Matrix Output Details
    Name User-Defined
    Phase Normal / Reverse
    Digital Trim -40 to +40dB
    Delay 0 – 682ms
    DiGiTuBe Drive 0.01 – 50.0 Bias 0 – 6
    LPF 20 – 20kHz, 24dB / Oct
    HPF 20 – 20kHz, 24dB / Oct
    Insert A (Pre EQ/Dyn) On/Off
    Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
    Dynamics 1 Single or 4 x Multiband (3-band) Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee; Hard, Med, Soft
    Gate / Ducker Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Link; Any Channel/Buss S/C Source: Any source S/C Listen: On/Off S/C Filter Freq/Width: 20Hz – 20kHz
    Insert B (Post EQ/Dyn) On/Off
    Mute Channel Mute
    Solo Solo Buss 1 / Solo Buss 2 / Both
    Channel Safe Mono/Stereo, Bus Mode, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Group Assigns, Fade, Mute, Direct Outs, Full Safe
    Output Routing Outputs, Insert A, Insert B
    Fader 100mm Motorised Fader ∞ to + 10dB

    Categories

  • PA / DJ EQUIPMENT
    • SPEAKERS & SUBS
      • PA PACKAGES
        • EV SPEAKER PACKAGES
        • YAMAHA SPEAKER PACKAGES
        • DYNACORD SPEAKER PACKAGES
        • RCF SPEAKER PACKAGES
      • POWERED SPEAKERS
      • POWERED SUBWOOFERS
      • PASSIVE SPEAKERS
      • PASSIVE SUBWOOFERS
      • INSTALLATION SPEAKERS
    • AMPLIFIERS
    • MIXERS
      • DIGITAL MIXERS
      • POWERED MIXERS
      • UNPOWERED MIXERS
    • MICROPHONES
      • IN-EAR MONITORING
      • WIRED MICROPHONES
      • WIRELESS MICROPHONES
      • WIRELESS HEADSET & LAPEL
    • DJ EQUIPMENT
    • HEADPHONES
    • STUDIO MONITORS
    • PORTABLE PA
    • SIGNAL PROCESSORS
    • SPEAKER COMPONENTS
    • POWER DISTRIBUTION
  • LIGHTING
    • DJ LIGHTING, EFFECTS & LASERS
    • DMX CONTROLLERS
    • SMOKE MACHINES & FLUIDS
    • STAGE & THEATRE LIGHTING
  • STANDS
    • LIGHTING STANDS
    • MICROPHONE STANDS
    • RACKS & MUSIC STANDS
    • SPEAKER STANDS & BRACKETS
  • CASES & BAGS
    • EQUIPMENT BAGS
    • EQUIPMENT CASES
      • ABS
      • AMPLIFIER & EFFECTS CASES
      • MIXER CASES
      • CABLE PACKERS & UTILITY CASES
      • DJ CASES
    • RACK HARDWARE
  • TRUSSING
    • BASE PLATES
    • BOX TRUSS
    • CIRCULAR TRUSS
    • FLAT TRUSS & SINGLE PIPE
    • LIGHTING BRIDGE SYSTEMS
    • TRI TRUSS
    • TRUSS UPRIGHT STANDS
    • CLAMPS & HARDWARE
      • TRUSS & LIGHTING CLAMPS
      • TRUSS ACCESSORIES
  • DRAPE SUPPORT SYSTEMS
    • DRAPE SUPPORT KITS
    • DRAPES & CURTAINS
    • PIPE & DRAPE ACCESSORIES
    • SUPPORT COMPONENTS
  • STAGING
    • HEIGHT ADJUSTABLE STAGE
    • FIXED HEIGHT STAGE
    • STAIRS & STAGE ACCESSORIES
  • CABLES & ACCESSORIES
    • BULK CABLE
    • CONNECTORS & ADAPTORS
    • LOOMS & MULTICORES
    • READY MADE CABLES
  • SALE
  • BRANDS
    • ALTO
    • AKG
    • Allen & Heath
    • ALUTRUSS
    • ANTARI
    • Audio Technica
    • Austrian Audio
    • BEHRINGER
    • BOB AUDIO
    • CASETOGO
    • CERWIN VEGA
    • CHIAYO
    • Cordial Cables
    • CR-TEC
    • CROWN
    • DB TECHNOLOGIES
    • DBX
    • DUNE
    • DYNACORD
    • EV
    • EVENT LIGHTING
    • FURMAN
    • GATOR
    • JANDS
    • JBL
    • JDS
    • KALI AUDIO
    • K&M
    • KRK
    • LD Systems
    • LEXICON
    • LIGHT EMOTION
    • NEXO
    • PASGAO
    • PIONEER
    • Quest Engineering
    • RCF
    • SHURE
    • SOUNDCRAFT
    • SOUNDKING
    • SPEED-CASE
    • SPIDER SYSTEMS
    • SUPERLUX
    • TASCAM
    • QSC
    • YAMAHA AMPLIFIERS
    • YAMAHA MIXERS
    • YAMAHA SPEAKERS
    • WHARFEDALE
    • AlphaTheta
  • Gift Voucher

  • MANUFACTURERS

  • AKG
  • ALUTRUSS
  • ANTARI
  • BOB AUDIO
  • CR-TEC
  • CASETOGO
  • CERWIN VEGA
  • CHIAYO
  • CROWN
  • DUNE
  • DYNACORD
  • EV
  • EVENT LIGHTING
  • FURMAN
  • GATOR
  • JBL
  • JDS
  • JANDS
  • K&M
  • LEXICON
  • LIGHT EMOTION
  • PASGAO
  • PIONEER
  • SHURE
  • SOUNDCRAFT
  • SOUNDKING
  • SPEED-CASE
  • SUPERLUX
  • WHARFEDALE
  • YAMAHA AMPLIFIERS
  • YAMAHA MIXERS
  • YAMAHA SPEAKERS
  • DB TECHNOLOGIES
  • DBX
  • SPIDER SYSTEMS
  • PARALLEL AUDIO
  • KALI AUDIO
  • KRK
  • RCF
  • Quest Engineering
  • LD Systems
  • BEHRINGER
  • Austrian Audio
  • Cordial Cables
  • NEXO
  • ALTO
  • QSC
  • Allen & Heath
  • Audio Technica
  • TASCAM
  • AlphaTheta

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    JD’s Sound and Lighting commenced trading in 1997. Initially, the core business was primarily involved with hire of professional sound and lighting equipment to DJs and bands as well as installation in nightclubs, pubs, schools and various other venues.

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